Donizetti: L’Elisir d’Amore (The Elixir of Love)
Set in the scenario of a Western Film Production, this is the second directorial work of Rolando Villazón (after his directorial debut in 2011 “Werther”, Lyon).
A Musical Theatre by Alain Platel. For years, the tension between the group and the individual has been the central theme in Platel’s performances. In C(H)OEURS, so far his biggest project, he examines – together with his dancers and the Teatro Real choir – how ‘dangerously beautiful’ a group can be.
A Happy End
Set in 1932-33, "A Happy End" is the story of Mark and Leah Erdmann, a Jewish couple living in Berlin with their son. Although the signs of danger increase as the Nazi Party takes power, the family ponders whether to seek an unknown future outside their beloved Germany or stay.
Giuseppe Verdi: Falstaff
Towards the end of his operatic work, Giuseppe Verdi succeeds in a brilliant comedy of characters with philosophical wisdom and sparkling musical wit. The libretto of Arrigo Boito is based upon William Shakespeare’s comedy “The Merry Wives of Windsor” and scenes from “Henry IV”.
Georg Friedrich Händel: Alcina
Alcina is a great musical experience geared to the Baroque curiosity. The highly-acclaimed conductor Marc Minkowski and his Les Musiciens du Louvre-Grenoble revive Handel’s music in an outstanding way.
The Víctor Ullate Ballet brings to its repertoire a new version of an important, internationally performed classic. Choreographer and artistic director Eduardo Lao has assumed the task of reinventing Coppélia, using his versatile company of 23 dancers to contribute his personal vision.
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